Archives 2023

Media release — The emerald City Comicon (ECCC) is happy to reveal TALES FROM THE CON, an all-new original webcomic produced solely for the show’s site by cartoonists BRAD GUIGAR (Evil, Inc, webcomics.com) as well as CHRIS GIARRUSSO (G-Man, small Marvels).
TALES FROM THE con is a humorous look at life in as well as around a comic convention, not particular to any type of one show, however celebrating the culture surrounding these meccas of pop culture.

“Anyone who has exhibited at a comic convention has a excellent story about the experience — some funny, some frustrating, some bizarre — as well as that makes for excellent comics,” stated Brad Guigar. “Combined, Chris as well as I most likely have 20 years of conventions under our belts. Not only is this a fantastic possibility to share a few of that, however it’s a distinct method to link it to one of the premiere comic conventions in America, the emerald City Comicon”

“I’m truly thrilled to be working on TALES FROM THE CON,” stated Chris Giarrusso. “I got my begin in comics doing short strips, as well as it’s fun to work in that style when again. Plus, the chance to work together with Brad is icing on the cake!”

Creating distinct as well as original material for its guests has been always

been one of ECCC’s hallmarks, like their acclaimed Monsters & Dames

charity book, which has increased over $20,000.00 for Seattle Children’s

Hospital. Guigar explains:

“This summer, I provided an interview with GammaSquad in which I suggested precisely this kind of job — utilizing a webcomic as an anchor to apublisher’s website. Although Jim (Demonakos, Convention Director) had never checked out that short article when he approached me to be included in this, it’s not going to stop me from declaring full credit rating when everybody starts copying what ECCC is introducing with their new site.”

You can checked out an all-new TALES FROM THE con every Thursday at the ECCC’s site ( ) as well as both creators will be appearing at the 2012 emerald City Comicon, taking location March 30, 31 as well as April 1 in lovely downtown Seattle, WA.

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NYCC 2021: inside the ExtravaganzaComic con season returned in 2021, topped by the grand spectacle of this past weekend’s new York Comic Con. Here’s an inside look at the four-day con of cons, NYCC 2021. With San Diego Comic-Con bowing out for the second directly year, NYCC was elevated to being the most significant comic…
October 18, 2021In “Comics”

Z2 Comics to publish CZARFACE: A CZAR IS BORNZ2 Comics as well as the hip hop supergroup CZARFACE will release ‘CZARFACE: A Czar Is Born’ in August, written by Seamus “Esoteric” Ryan WITH ART BY Ariel Olivetti. The press release follows: Media release — Z2 Comics continues to roll out news marrying celebrated acts from all genres of music with…
February 19, 2021In “ComicList”

Motor City Comic Con… A report from Behind the CurtainRegular visitors have discovered new things happening with GoCollect.  We are continuously evolving to provide you what you requirement to understand since understanding is power! On October 15-17 I spent the whole weekend covering the motor City Comic con to provide you an insider’s view of the event.  I will…
October 22, 2021In “Comics”

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Beau at the flying Fist Ranch

by beloved Smith

One of the almost common goals for a comic book creator/publisher is to have their book made into a film or TV show. It doesn’t occur that often, however in recent years, the chances have gotten a great deal better.

Speaking of odd, there has been a new twist in this process in the last couple of years: film as well as TV producers now want their movies or TV series turned into comic books. For decades, comic books have been the red-headed step-child of pop culture entertainment. now in 2009, we’ve ended up being the belle of the ball.

In my personal dealings with those that wield some power in Hollywood, I’ve discovered that the reason they want their film or TV show to be equated into a comic book is since it provides them one more marketing, promotional, as well as revenue choice for their “product.” having a comic book expands their own base for their project. being able to hand over a printed comic book to somebody provides them immediate weight. Comic books are seen as a extremely great source of possible revenues for Hollywood as well as they are not only jumping on the four-color bandwagon, they are throwing each other off of it to get in front.

I’ve likewise discovered out that they don’t understand the very first thing about what equates into a comic book. Some haven’t grasped that writing/creating a comic book is a whole other craft from screenwriting. Some “get it,” however for the most part, they don’t.

Some TV shows or films won’t, or don’t, adapt well into a printed comic book, at least not well sufficient to make high sales. Let’s look at TV for a minute. The USA Network show, shed notice would/could make the transformation into a comic book with bit problem. It has action, characters that work as well as dialogue that’s not so heavy the printed page would look like a novel. The TV series 24 is a proven screen to print success that equates well. On the other end of the stick you have something like Grey’s Anatomy that would be a extremely difficult slide from the screen to the page. The speaking head ratio would just be as well much as would the amount of dialogue needed to get stories as well as characters across in an entertaining form. Sitcoms would be near impossible. just believe of the traditional Seinfeld show. The characters would never rather ended up being full sufficient as well as would always seem flat in print. You’d have more luck going with something slapstick like Gilligan’s Island.

The one TV show that I believe would work truly well is lost from ABC. It has all the right material to equate into a extremely well done comic book. It couldn’t be one of those TV/Film adaptations that we’ve seen as well much of, the kind where they agree to do it as well as then no care or like for the original material is shown. trust me, we’ve seen method as well much of that. I still believe that if done right with art that matches story, Supernatural should as well as could’ve been a perfect comic book. Sales for it have proven otherwise.

Getting back to lost as a comic book, the more than perfect writer would be Brian K. Vaughan. Vaughan is the professional writer of both comics as well as TV (including Lost). If he were provided an artist that might catch not only likenesses, however keen camera/story telling shots, lost as well as side stories from it might be a major comic book success. With the final season coming up it would be a perfect time to not only adapt the original story, however to create pre- as well as publish stories (I would hope) from the series. There are tons of stories to be told from the middle as well. I understand that as a fan of the show, I would like to see something continue from it after the final TV curtain is drawn to a close.

You gotta admit, it sure would be fun.

Think about it. suggest it to the producers of your preferred shows as well as films. All you have to lose is your time as well as perhaps forty-four cents worth of postage.

Just make sure you toss my name in as showrunner for the comic book.

Your amigo,

Beau Smith
The flying Fist Ranch

Media release — Everyone’s had the believed at least when in their lives. If I were in charge, things would be better. If I had overall power, I might make a ideal world. It’s a fundamentally human wish for control. however what if there was someone—or something—bigger than humanity that had the exact same thought? What if this single being chose to take manage of humanity as well as set it on a different course?
This October, James Tynion IV as well as Eryk Donovan, the innovative team behind the award-nominated, apocalyptic horror miniseries Memetic, return with a fresh look at exactly how the world might end in the oversized, three-issue event Cognetic. When a powerful psychic being that when managed one-third of the world’s population in a hivemind resurfaces to set humanity back on track, the people of new York City struggle to comprehend the unusual as well as horrifying things happening to them, as well as one young lady in the FBI will have to pay a awful cost if she’s going to save them.

“James as well as Eryk are breaking the mould with one amazing apocalyptic ‘what if’ after another,” stated BOOM! Studios Editor-in-Chief Matt Gagnon. “Memetic was a horrifying digital apocalypse that made us all believe twice about sharing funny memes, while Cognetic taps into the innate wish for manage that everybody has as well as proves exactly how deadly it can be. This new look at exactly how the world ends will hit you with the difficult question: What would you sacrifice to save humanity?”

Cognetic #1 (of 3) is large at 48 pages (all three problems of the miniseries will be 48 pages) as well as shows up in comic shops on October 21st with a primary cover by series artist Eryk Donovan for the cost of $4.99 under diamond purchase code AUG151188. likewise offered in a restricted high quality is a 10 Years reward cover by Felipe Smith (All-New Ghost Rider), as well as a seller reward cover by Juan Doe (Wolverines).

The final purchase Cutoff deadline for sellers is September 21st. Not sure where to discover your nearest comic retailer? utilize comicshoplocator.com or findacomicshop.com to discover one! It’s likewise offered for purchase directly from boom-studios.com.

ABOUT BOOM! STUDIOS

Founded by Ross Richie in 2005, diamond Gem Award-winning “Best Publisher” BOOM! Studios (boom-studios.com) produces a constellation of very popular Eisner as well as Harvey Award-winning original as well as licensed comic books as well as graphic novels with the industry’s top talent. BOOM! Studios is comprised of four unique imprints. The original Studios imprint is house to titles like suicide Risk, The Woods, Irredeemable, Sons of Anarchy, as well as huge difficulty in bit China. Steven Grant’s graphic book 2 guns was released as a function film from universal Pictures, starring Denzel Washington as well as mark Wahlberg. BOOM!’s all-ages imprint KaBOOM! publishes Charles Schulz’ Peanuts; Jim Davis’ Garfield; animation Network’s experience Time, routine Show, The fantastic world of Gumball, as well as Steven Universe; Mike Kunkel’s Herobear as well as the Kid; as well as Natasha Allegri’s Bee as well as PuppyCat. BOOM!’s experimental imprint BOOM! Box publishes The Midas Flesh as well as Lumberjanes. In June 2013, BOOM! obtained Archaia Entertainment. Archaia is the Eisner as well as Harvey Award-winning graphic book publisher of mouse Guard, Cow Boy, Gunnerkrigg Court, Rust, as well as Jim Henson’s tale of Sand. In October 2013, BOOM! Studios went into into a distinct first-look connection with 20th Century Fox, providing the studio gain access to to its library of titles as well as providing the publisher gain access to to Fox’s large catalog of films. In August 2014, BOOM! Studios began a similar first-look connection with 20th Century Fox TV to establish properties for the little screen.

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It’s the end of the world as BOOM! understands it in COGNETICMedia release — As part of its ramp-up to San Diego Comic-Con, BOOM! Studios is delighted to reveal that James Tynion IV (The Woods, Batman Eternal) as well as Eryk Donovan (The home in the Wall), the innovative team behind the award-nominated Memetic, will co…
June 25, 2015In “Comics”

The Hellboy world expands in FRANKENSTEIN: new WORLDFRANKENSTEIN: new world is an all new four-part mini-series from legendary Hellboy developer Mike Mignola as well as a range of other creators. The press release follows: Media release — Legendary Hellboy developer Mike Mignola, bestselling novelist as well as comics writer Christopher Golden, comics writer Thomas Sniegoski, artist Peter Bergting, colorist Michelle Madsen,…
May 20, 2022In “ComicList”

James Tynion IV as well as Eryk Donovan offer a dark vision in EUGENICMedia release — BOOM! Studios is thrilled to reveal EUGENIC, a dark visionnull

Amor de Días (“love of days”) have released their debut album on Merge Records. I’ll quite much publish about anything Merge puts out. add includes members of The Clientele as well as Pipas, as well as the music is beautiful, complex chamber pop. My only grievance is that the whole albums seems whispered. With a lead singer prepared to push as well as stretch his voice, these men would be tremendous.

Stream the full album here.

Check out a video:

Amor de Días – season of Light from Merge Records on Vimeo.

Media release — image Comics is pleased to announce that the new York Times bestselling miniseries WE STAND ON GUARD, from Brian K. Vaughan (SAGA, PAPER GIRLS) and Steve Skroce (Wolverine, Doc Frankenstein), will be released as a trade paperback this April.
Set 100 years in our future, WE STAND ON GUARD follows a heroic band of Canadian civilians-turned-freedom-fighters who need to defend their homeland from invasion by a technologically remarkable opponent…the united states of America.

WE STAND ON GUARD TP (ISBN: 978-1-5343-0141-2, diamond code: FEB170725) arrives in comic book stores Wednesday, April 5th and bookstores Tuesday, April 11th. It is available for preorder now by means of Amazon, Barnes & Noble, Indiebound, and Indigo.

Select praise for WE STAND ON GUARD:

“Direct and visually explosive.” —CBC News

“WE STAND ON GUARD punches you in the mouth, holds you by the throat, and squeezes your gut all the way to the last page.” —ComicsVerse

“Intriguing, emotional, and engaging.” —Paste Magazine

“A smart book filled with beautiful artwork that you must be reading.” —Horror Talk

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WE STAND ON GUARD #1 flies off shelves and goes straight to second printingMedia release — new York Times bestselling and multiple Eisner-award winning writer Brian K. Vaughan (SAGA, PAPER GIRLS, private EYE) and legendary storyboard artist Steve Skroce’s WE STAND ON GUARD’s action-packed military thriller about a future wher…
September 11, 2015In “Comics”

Image Comics’ SAGA returns this January with issue #55The multiple award winning, bestselling comic book phenomenon SAGA will ring in 2022 with the arrival of the long anticipated issue #55. The press release follows: Media release — image Comics is pleased to announce the return of multiple award winning, bestselling series Saga by Brian K. Vaughan and Fiona…
October 10, 2021In “ComicList”

WE STAND ON GUARD gets collected this MayMedia release — new York Times bestselling and multiple Eisner-award winning writer Brian K. Vaughan (SAGA, PAPER GIRLS, private EYE) and legendary storyboard artist Steve Skroce’s WE STAND ON GUARD’s jaw-dropping military thriller will be collected fo…
February 25, 2016In “Comics”

Media release — In search of his missing squadron, Johnny cruises the snowy wastes around Stalingrad in his trusty Hurricane. However, his fighter is in the sights of an old adversary and he is about to find himself in a blistering dogfight – with a truly shocking outcome!

JOHNNY RED #5
Writer: Garth Ennis
Artist: Keith Burns
Colorist: Jason Wordie
Letterer: Rob Steen
Cover A: Keith Burns
Cover B: Adam Tooby
PUBLISHER: TITAN COMICS
PAGE COUNT: 32PP
PRICE: $3.99
RELEASE DATE: March 2

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ComicList Preview: JOHNNY RED #1Media release — Legendary British fighter ace, Johnny ‘Red’ Redburn, returns once more as the commander of the Falcons – a Russian fighter squadron battling the Nazis in the skies over Stalingrad. but dogfighting Messerschmitts is about to become…
October 23, 2015In “Comics”

ComicList Preview: JOHNNY RED #2Media release — With the battle of Stalingrad in full and savage swing, the Russians are throwing everything they have at the Nazis, in an effort to turn the battle’s tide. caught up in the fighting is Johnny and his squadron of fighter pilots, the leg…
December 2, 2015In “Comics”

Judge Dredd co-creator Carlos Ezquerra draws variant cover for JOHNNY RED #1Media release — Titan Comics is thrilled to announce a brand-new Johnny Red series written by Garth Ennis (Preacher) with art by Keith Burns! hitting stores November 4, the explosive new series features original adventures of the fighter ace who thril…
September 2, 2015In “Comics”

This publish is Filed Under:

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by Robert Greenberger

Captain America by Dan Jurgens Vol. 1

Marvel has been rummaging with their library as well as gathering up practically every run of Captain America worth collecting to make specific there’s something for everybody in the ramp as much as the July 22 release of Captain America: very first Avenger. nothing wrong keeping that because it provides fans of all ages lots of option stuff. We spoke a few months back about the Captain America Omnibus which brings the 1960s material back in one nifty volume, however this month we’re taking a look at one more age entirely.

In the late 1990s, marvel made the devastating decision to send Cap as well as his fellow Avengers off to one more realm in Onslaught; letting the picture Comics creators have their method with them with wildly differing levels of success. The experiment, though, concerned a merciful end as well as our heroes returned to the appropriate marvel world as well as Cap was given a new lease on life with a brand new series. mark Waid, whose outstanding work on the series pre-Onslaught still lingered in fans’ mind, was the apparent option to helm the third monthly series featuring the Star-Spangled Avenger.

Waid’s run, though, was fraught with problems as well as he wound up leaving the series, thinking about the project a mistake. His mistake, though, was Dan Jurgens’ chance as well as as 2000 began, Jurgens was paired with penciler Andy Kubert beginning with problem #25. That run is now being collected as Captain America by Dan Jurgens volume 1 with the very first ten problems included. The 256-page collection kicks off in style as Captain America, the living sign of freedom, takes on the revamped Hate-Monger, who was at one time a clone of Adolf Hitler.

Jurgens, who was likewise the designer of the post-Onslaught Thor, likewise now being collected, was fortunate in working with Andy Kubert, who was really coming into his own as an artist. Coupled with inker Dan Green, the book was visually strong. The present design template of Cap’s visual appearance was being honed during this period as well as the work still looks fresh.

To his credit, the writer took full advantage of Cap’s deep supporting cast. many of the stories pair the hero with his long-time partner the Falcon, however many of the stories in this collection likewise function his lover, Sharon Carter, her manager Nick Fury (back when he headed the genuine S.H.I.E.L.D.), as well as even USAgent, a doppelganger who never rather in shape into the marvel Universe.

After that introductory three-parter well set the stage, Jurgens deftly shifts the setting to much more all-out action. Sharon has gone missing as well as the path takes the Avenger to the savage Land in a four-parter that likewise guest stars Ka-Zar. There’s one fill-in problem by Brent Anderson, who remarkably drew the Bruce Jones-written series much more than 15 years earlier – something likewise well worth collecting. Cap as well as Ka-Zar, together with Shanna as well as Zabu of course, handle count Nefaria in a fast-moving serial.

There’s a fantastic one-off story uniting Jurgens with his Superman associate Jerry Ordway, which enabled for a good flashback to WW II, as Cap fought together with Sgt. Fury as well as the shouting Commandos when more. After this, though, Kubert was gone as well as Jurgens handled the penciling responsibilities as well, aided by his long-time inker Art Thibert.

Jurgens well handles the increase as well as autumn of sub-plots so there’s a bubbling S.H.I.E.L.D. secret that introduces the writer’s very first all-new opponent in the series, Protocide, who takes center-stage in the final problems collected right here (and will head-up the second volume whenever that comes). This villain is a very Soldier prototype from a test group pre-dating Steve Rogers.

This may not be the most unforgettable of Cap runs, however the stories are serviceable as well as extremely entertaining comic book reads in the very best sense.

——————————————–

Purchase Captain America by Dan Jurgens Vol. 1

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Bottom L to R: Gary Kwapisz, Tim Harkins, Chuck Dixon.Top L To R: Tom Lyle, Tim Truman, beau Smith, John K. Snyder III

by beau Smith

In the early 1980s, myself and some of my soon to be life-long pals were just starting to break into the comic book business as writers, artists, and businessmen. We were all in our 20’s to early 30’s. most were still single, some of us just married and even had a baby or two at the house. There was no internet. When you communicated, it was with the phone or by hand written or typed letter. I was still doing pitches and comic book stories on a typewriter back then. even with technology being what it is today, I never look back at using the typewriter as a chore. It was durable and always reliable. just like my pals were.

Scout issue #20 Eclipse Comics.

Eclipse Comics was where me and my pals all seem to have met. By friends, I mean my core group; Tim Truman, Chuck Dixon, Flint Henry, Tim Harkins, Gary Kwapisz, John K. Snyder III, Clint McElroy, Ron Frenz, Todd Fox, Tom Lyle, Dean Mullaney, Graham Nolan, mark McKenna, and Ted Adams. A lot of the guys in that group were from the Kubert School. It was like they already had on the job training, so they shared that with the rest of us. some of the guys like Truman had already worked for first Comics and brought some of their fellow first workers into our small group; John Ostrander, Mike Baron, and a few others. It was a terrific time to meet and talk creative comic books with those that knew the shorthand of the business.

Gary Kwapisz, Chuck Dixon, beau Smith, Todd Fox.

ChicagoCon in Rosemont , IL., probably at that time was the second biggest convention behind San Diego Comic Con. even then, SDCC was a lot smaller and most people just had card tables with only a few having booths with displays. simpler time, but just as important as today.

The beauty of having ChicagoCon in Rosemont was you really didn’t venture into Chicago much. We did occasionally for a ball game, but most of the time we all stuck in and around the Rosemont area. We were there for comic books and nothing else. If we wanted to see a big city , the beach, or the country, we took a family vacation. this time was for us and what we hoped would be our new career.

Graham Nolan & beau Smith

There were many times that we would all bunk together to save money and make it possible for some of us to even attend the convention(s). That means we would have anywhere from three to eight people staying in one room. two bed, a couple of rollaway beds, maybe a couch if we were lucky. many a time there were three grown men to a bed. That wasn’t easy if you had Chuck Dixon. The guy is six feet four and over 200 pounds. He took up some real estate. Gary Kwapisz snored like a tornado in Kansas, John Snyder had the habit of sleep spooning, and Truman always had the lights out call of “Hey, Flint….SHUT UP!”

Tom Lyle and Chuck Dixon.

Would not trade those memories for anything. We talked so much about comic books; past, present, and what we thought would be the future. We talked art, art styles, how to open a story, what characters were important, what editors we talked to….that’s right, I said editors. We didn’t spend a lot of time talking about what creators we met, nope. We knew if we were going to be in the business or stay in the business, we needed to contact and build a relationship with the folks that did the hiring and firing. other aspiring creators thought that knowing other creators was the short way to the barn, but in reality, why would another artist connect you to possibly one day take their job away?

Beau Smith, Dwayne Turner, Chuck Dixon, Flint Henry.

Like I mentioned, some of us were already in the business so it was a terrific way of us all sharing important information and contacts to move ahead in a business most of us had been wanting to be in since childhood.

We all came from various paths of life; it was comic books that brought us all together. Comic books seem to be this wonderful common bond that used to be a true North source that everyone could set their compass to. I don’t know if that rings as true as it once did. I hope so.

As our core group got older, we all went from being 4 Winds, to being scattered to the 4 Winds. most of us had families, children, houses, and all the other stuff you accumulate in life. These days, some of us are grandparents, are mentors, and even some have gone on to careers outside of comics that they truly enjoy. It’s an incredible path with an even more incredible amount of wonderfully creative people that we have met through the years. A blessing that we should always be thankful for.

Beau Smith & Gary Kwapisz

We don’t talk as much as we once did. technology has us doing that digitally for the most part. When we do have the occasion to pick up the phone, we almost always find ourselves right back where we were the last time we spoke, that could be 20 years or 20 minutes ago. There’s a bond there. There’s a remembrance of a very special time when each hand was out there to pull the other up the mountain. Our careers have changed, our hairlines and waistlines have changed, but we haven’t changed in our heart of hearts. Comic books and the craft of making them is still there and beating stronger than ever. So are the memories of those very special times when the passion for comic books was like the rays of the sun. I promise you, those memories are never forgotten.

To all my amigos: (From the film, The Wild Bunch)

Pike:We’re not gonna get rid of anybody! We’re gonna stick together, just like it used to be! When you side with a man, you stay with him! and if you can’t do that, you’re like some animal, you’re finished! *We’re* finished! all of us! 

Beau Smith

The flying Fist Ranch

@BeauSmithRanch at Twitter and Instagram

It wasn’t long ago that I reported on the downward trend of Deadpool comic sales. The numbers were concrete proof that the “Merc with a Mouth” was falling out of fans’ graces. However, I am prepared to eat my words thanks to the substantial opening weekend of Deadpool 2.

After hitting theaters last weekend, Deadpool 2 reportedly amassed the second-highest grossing opening weekend for an R-rated motion picture in history. It even managed to knock Infinity war off the top spot at the box office. So far, the fan reviews are positive, which indicates there likely won’t be a major drop off on ticket sales in the coming weeks.

With such high praise and attention for Deadpool 2, you can expect that sales will be picking up once again for those Deadpool keys. You can also look for Deadpool to grace the cover of lots of marvel comics for at least a couple a lot more years if not longer.

NEW MUTANTS #98

Over the course of 2017, a lot of grades of NM #98 took a hit in average sale price. A CGC-graded 9.0, for instance, saw 32 fewer sales and a lower average price from 2016 to 2017. An 8.5 faced a similar issue as it dropped from an average of $230 in 2016 to $214 last year. This trend continues for the majority of graded NM #98s all the way down to the lower grades. However, the excitement from Deadpool 2 has given the market for DP’s first appearance a much-needed boost.

As fans were stoked over the trailers and now with the motion picture raking in millions, the tide has turned. That same 9.0 that averaged $244 in 2017? It’s jumped to $290 in the past three months, and it is nearly guaranteed to climb even higher. how about the 8.5, you may ask? That grade is currently averaging $254. At this pace, we’ll be seeing those 2015 and 2016 prices as excitement and inflation take hold.

X-FORCE

New Mutants might stick out as the famous Deadpool moment as far as his debut, but a lot of of his early appearances were in the pages of X-Force, which makes it fitting that the team premiered on the big screen in Deadpool 2.

While not a major key, X-Force #10 will draw interest as it is the first cover featuring cord and Deadpool drawn by superstar artist Greg Capullo. The cover alone is what brings in the DP/Cable fans, and the price is on the rise in a big way. In 2017, a 9.8 was bringing around $25. So far this year, it has jumped to $57.

Another X-Force/Deadpool crucial to enjoy is X-Force #11. Not only do you get a classic Rob Liefeld Deadpool cover, but this is the first appearance of the real Domino who had been impersonated by Copycat in NM #98. Her character is getting fans after DP 2, and with that rise in popularity is a rise in price tags. The 90-day average for nearly all grades of XF #11 have seen a minor increase, and a 9.8 has now cracked the $100 mark.

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DEADPOOL: bad BLOOD to return as two comic books this AprilDeadpool’s hit graphic novel bad BLOOD is being reprinted as two comic books this April. The press release follows: Media release — In 2017, superstar Deadpool co-creator Rob Liefeld teamed up with writers Chris Sims and Chad Bowers to tell an all-new saga starring his greatest creation in Deadpool’s first-ever…
January 20, 2022In “ComicList”

Deadpool: To Be Him Is To love HimMedia release — critics and fans alike finally realize that I, Deadpool, the crimson comedian, the merc with a mouth, the crazy person with guns, am a smash hit! My issues sold out in Deadpool: suicide Kings, with art by Carlo Barberi and written by the very talented Entourage writer,…
June 23, 2009In “Comics”

ComicList Previews: DEADPOOL BLACK WHITE and BLOOD #4 (OF 4)ALL BLED OUT! • The grand finale of DEADPOOL: BLACK, WHITE and BLOOD includes a Chris Yost and Martin Coccolo story that need to be seen to be believed (and even then, you still won’t believe it)… • …a story from the best-selling DEADPOOL: SAMURAI manga team, Sanshiro Kasama and Hikaru…
November 12, 2021In “ComicList”

Media release — Angoisse Ashe, the oft-forgotten middle sister of the Ashe royal family, is locked in a castle deep in the swamp. Not only is her castle guarded by zombies, but the swamp is full of dangerous hazards. everything from quicksand to goblins to swamp monsters to…VAMPIRES! but does that give Adrienne pause? unfortunately not, as she and Bedelia dive head-first into their most dangerous adventure yet! Be sure to pick up this collection and share every moment of this thrilling chapter of the Princeless saga!PRINCELESS volume 4: BE YOURSELF
Writer(s): Jeremy Whitley
Artist Name(s): Emily Martin, Brett Grunig
Cover Artist(s): Emily Martin, Brett Grunig
128 pgs./ All Ages / FC
$14.99

ABOUT action lab ENTERTAINMENT- formed in 2010 with the purpose of pooling their collective talents into a single, powerful entity, the members of action lab entertainment have countless years in multimedia publishing, design, and business. Their first release, Fracture, was successfully funded through Kickstarter and since then they have continued their mission to produce high quality, genre-spanning entertainment. since its formation, the accolades for A.L.E continue to build on a daily basis. among its more popular titles are all ages material like the Eisner, Glyph, Shel Dorf award nominated series PRINCELESS, NFL RUSHZONE (based on the Nickelodeon television series), Jamal Igle’s MOLLY DANGER, Artist/ writer Jeremy Dale’s hit series SKYWARD, and Gayle Middleton’s (My little Pony, The Littlest Pet Shop) monstrously adorable VAMPLETS. action Lab’s mature readers imprint action lab danger zone continues to push the envelope of comics entertainment with titles as varied as EHMM theory and Dan Mendoza’s over the top horror-comedy ZOMBIE TRAMP, THE final plague and BO, PLUSHY GANGSTA.

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